Success criteria magazine covers

Many thanks to Miss Brown’s Blog (https://missbrownblog.wordpress.com), where this was originally posted.

Success criteria for front covers: Does your cover have a clear masthead/logo? Is the price appropriate for your target audience? Is there a clear brand identity/colour scheme? Is the text engaging? Is the image clear and does it feature direct address (the model looking at the camera/audience)? Have you used a range of fonts? Have […]

via Success criteria magazine covers — Miss Brown’s Blog

What I should add to my Section B answer – Shiloh

My question for Part B was “Convergence allows audiences to access media content from multiple platforms on one device. Assess the impact of convergence in your cross-media study. My three products were Teen Wolf (Network: MTV), The Originals (Network: The CW) and American Horror Story (Network: FX).

I think I should include stereotypes and countertypes in my Section B answer. Stereotypes are a fixed cliché of a person or thing. For example, the saying that blonde people are dumb. This is stereotypical as not all blonde people are dumb. I believe this can be used in the Part B answer. For instance, for my three choices of the broadcasting platform, I could talk about how the genre of production is portrayed and how they relate to the generalisation of such shows. Countertypes are positive stereotypes that accentuate the positive attributes of someone. For instance, a countertype could be that blonde people are smart. This is a countertype as it accentuates the positivity that blonde-haired people are smart. I could talk about how countertypes are used to influence the audience into wanting to watch such shows and movies, and to increase the popularity of the shows so the audience talk about it to people who do not watch it, which can intrigue others to watch it.

Image result for ahs posterImage result Continue reading “What I should add to my Section B answer – Shiloh”

What my section B is about and What I should add to it.

My Section B is focused on music, mainly the Pop/Rock genre. I chose 3 Bands to compare and contrast; These bands being Babymetal, BTS and One Direction, as they all have a fair amount of credibility in the world of music.

Babymetal are a Japanese Kawaii-Rock (A genre of their own creation) band, that have gained a worldwide cult following since their formation in 2010. Their debut single with a major record label, Ijime , Dame, Zettai (Bullying, No good, Absolutely. Occasionally known as no more bullying), was also their first standalone single after splitting from Idol band Sakura Gakuin. In British media, Babymetal are (really) only portrayed online, with major news networks and print media (Apart from genre specific (Rock) magazines (Kerrang) and TV channels (Kerrang again) shining some light on them) barely showing any news or info on them. As the creators of the Kawaii-Rock genre, I have to say that they follow all codes and conventions, as they are the ones who set them.  Continue reading “What my section B is about and What I should add to it.”

A print publishing reality: advertisers, not readers, are the customers via The Guardian

As Trinity Mirror closes another free title while bemoaning a lack of audience, a US newspaper owner tells it like it is: journalism is of secondary importance

Further reading: Curran (1986) – In your theory booklet.

Curran (1986) argues that the advertising industry has a major influence on the structure and output of the British print media.  It is argued that media producers focus on providing the media for the sectors of the population that the advertising industry wants to address.  For many publications, advertising is the main source of revenue and therefore the advertisers could wield significant power in print publications and may affect the content; the use of sponsored promotions in magazines like Empire may seem harmless, but what if a newspaper was reluctant to print a story because it might upset one of their major advertisers?

Source: A print publishing reality: advertisers, not readers, are the customers | Media | The Guardian